中内友紀恵

中内友紀恵

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Credited on 19 works from 2014 to 2026. Main genres: 2D animation, Animation, Music video.

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Work

Hatsuboshi Academy “Wildest Flower” Official Music Video - 映像作家: 大橋史Takashi Ohashi
2D animation

Hatsuboshi Academy “Wildest Flower” Official Music Video

2022-2026
00:03:02
A music video created for an in-game song from Bandai Namco Entertainment’s social game The Idolmaster Gakuen. The character Hanami Saki was a top athlete in track and field before aspiring to become an idol, and she has a past in which, due to being a late bloomer, she confronted the limits of her abilities at a young age and suffered setbacks. The song’s theme portrays her “setbacks and challenges,” making for an absurd tale in which she moves back and forth between the reality of the setbacks she experienced in the past and the uncertain glory of the future. In the end, she attempts to break through her own limits. To make this pulp-fiction-like story convincing, we aimed for a meditative music video in which the past and future are suspended, combining the image of sequential photographs that draw the viewer’s consciousness back into the past with animation that propels her into the future to the sound of drum and bass. The spirit of craving victory that she cultivated in her years as an athlete, caught between ideals and reality, shakes off notions of records and victory created by others through the act of “running.” By adopting abstract smear frames and a rough, painterly style, we sought to convey, in a sensory way, her spiritual rebirth as an idol (a performer).
NHK Minna no Uta “Moon Dancer” - 映像作家: 大橋史Takashi Ohashi
2D animationBroadcast

NHK Minna no Uta “Moon Dancer”

2022
Only Image
An animated work for “Tsuki no Odoriko,” which will be broadcast on NHK’s Minna no Uta from June to July 2022. The lyrics, set to music by Pop Shinanai de, are rendered through a mysteriously whimsical rhetoric, unfolding images as if a child were drifting off to sleep and, behind closed eyelids, sinking into a world of imagination. With a child who loves to daydream as the protagonist, this work expresses a worldview in which the universe is portrayed as a sea inhabited by living creatures.
Ahare! Meisaku-kun (Ryugu Middle School Arc) - 映像作家: taketoshinkai
2D animationAnimationComedy

Ahare! Meisaku-kun (Ryugu Middle School Arc)

2022, 2023
00:05:49
Description: A comedic short-form animated series of dialogue-driven sketches featuring the protagonist Matsuda Meisaku, who aims to become a masterpiece himself, along with his eccentric classmates. By blending contemporary themes with classic stories, such as “The Three Little Pigs Who Dream of Becoming YouTubers” and “Cinderella the Tsundere,” it creates high-quality humor that can be enjoyed by both adults and children. The series began in 2016 on NHK E Tele’s “Bit World” and aired up to 230 episodes. It also released 14 episodes of “Ryugu Junior High Arc,” produced with funds raised through crowdfunding. Selected by the Japan Media Arts Festival Jury as a recommended work. Total views on its YouTube channel have surpassed 400 million.
Ahare! Meisaku-kun Season 6 ED - 映像作家: 大橋史Takashi Ohashi
2D animationMotion graphics

Ahare! Meisaku-kun Season 6 ED

2021
00:00:36
This is the sixth ending theme for the TV anime “Ahare! Meisaku-kun,” based on an original work by Takato Shinkai and featuring character designs by JUN OSON. The concept imitates the “before-and-after” effect often seen on Instagram and TikTok, where the camera lens is covered by a hand to create a transition. It proposes a scenario in which Meisaku, who is seriously cleaning, transforms into a classmate who messes around while cleaning. Illustrator docco joined as the character designer, resulting in a “reverse deformed” design with more realistic proportions.
Liricinium Bibliola - 映像作家: 大橋史Takashi Ohashi
2D animationAnimationMotion graphics

Liricinium Bibliola

2021
00:04:36
“Chimera Project,” an original concept, story, and character design by voice actress Aoi Yuki. It tells the story of Chimerios, or chimeras, born from the words spoken by humans through virtual communication such as social media. The seven Chimerios are characters personifying the days of the week: for example, Monday is gloomy because it comes right after the weekend, while Friday has a carefree, party-loving personality because it comes just before the break. While expressing the Chimerios’ terrifying yet adorable world, the music video depicts their desire to eat the words spoken by humans.
Ahare! Meisaku-kun (Season 6) - 映像作家: taketoshinkai
2D animationAnimationComedyTV

Ahare! Meisaku-kun (Season 6)

2021, 2022
00:04:59
A conversational comedy short anime featuring the protagonist, Matsuda Meisaku, who aspires to become a masterpiece himself, along with his eccentric classmates. By blending modern themes with a variety of classic works—such as “three little pigs aiming to become YouTubers” and “a tsundere Cinderella”—it creates high-quality humor that can be enjoyed by both adults and children. The series began in 2016 on NHK E Tele’s “Bitworld” and aired through Season 6 (230 episodes). It was selected as a Jury Recommended Work at the Japan Media Arts Festival organized by the Agency for Cultural Affairs. Its YouTube channel has surpassed 300 million total views.
TV Anime "ODDTAXI" OP - 映像作家: mimoid
2D animationTV

TV Anime "ODDTAXI" OP

2021
00:01:31
The opening sequence, which serves as the audience’s first impression of the story, was designed to feel welcoming and upbeat in line with the director’s wishes, while also incorporating the suspense, hip tone, and sense of unease found in the main film. We explored the balance between technical playfulness and the music, adding a hand-drawn feel by incorporating analog watercolor into digitally created imagery, and paid close attention to keeping the layout from feeling too rigid.
【Pokémon Official】Anime “Summer Vacation in the Blizzard” – Pokémon Kids TV【POKÉTOON】 - 映像作家: mimoid
2D animationShort film

【Pokémon Official】Anime “Summer Vacation in the Blizzard” – Pokémon Kids TV【POKÉTOON】

2021
00:07:00
This work was inspired by the simple question I once had while playing Pokémon: “What happens to the Pokémon that got away?” Created as a juvenile story together with novelist Yusaku Kitano, it depicts the beginnings of research encountered through play in a secret-base-like setting, with the goal of conveying to children the message that curiosity and a spirit of inquiry are what drive us to open up the world.
Music Video "Lilicinium Bibliola" - 映像作家: shinodatoshitaka
2D animationMotion graphicsMusic video

Music Video "Lilicinium Bibliola"

2021
00:05:27
A music video sung by the weekday Kymerio from “YUKI×AOI Chimera Project,” a project themed around the bestial transformation of words, for which Aoi Yuki serves as planner, original concept creator, and character designer. The story parts, created with hand-drawn animation, depict the mysterious Kymerios that devour words, along with the frightening side hidden beneath their adorable appearance. The cutout parts, assembled by taking the character pieces apart and turning them into digital stop-motion animation, highlight the Kymerios’ personality and charm. Composed of these two forms of expression, the video portrays the Kymerio’s dual nature.
DAOKO "Boku (Re-Arrange)" - 映像作家: 大橋史Takashi Ohashi
2D animation3DCGMusic video

DAOKO "Boku (Re-Arrange)"

2017
00:05:16
Music video included on the first-press bonus edition of rapper-singer DAOKO’s second album. Since the song title is “Boku,” we developed the idea of “selfies and Instagram,” and because it was also meant to be an animated MV, we planned to use photographs for the backgrounds in order to reduce production time while improving quality. Based on that, we proposed a plot in which “while playing with an AR selfie app, you get sucked into an AR world and drift through cyberspace.” In keeping with lyrics that suggest DAOKO, after her major-label debut, gained new fans while also losing old ones, the MV depicts high school–aged daoko confronting the post-major-debut DAOKO, with the unsettling story gradually unfolding as her personality is peeled away, like a broken link on a website.
Station ID「Shapeshifter」 - 映像作家: 大橋史Takashi Ohashi
2D animationMotion graphicsStation ID

Station ID「Shapeshifter」

2019
00:00:30
Under the mission of “conveying the appeal of music,” this Space Shower TV station ID depicts the introspective world of audiences immersed in music at live houses and clubs. By surrendering themselves to the rhythms and beats of the music, their bodies take on abstract forms reminiscent of Paul Klee’s paintings, and the listeners melt into the music as part of it, while vibrant colors as if bathed in colored light metaphorically express an unreal, vivid musical experience through animation.
Ahare! Meisaku-kun (Seasons 1–5) - 映像作家: taketoshinkai
2D animationAnimationComedyTV

Ahare! Meisaku-kun (Seasons 1–5)

2016~2020
00:04:57
A conversational comedy short anime featuring the protagonist, Matsuda Meisaku, who aims to become a masterpiece himself, and his colorful classmates. By blending modern themes with numerous classic stories, such as “Three Little Pigs Aspiring to Be YouTubers” and “A Tsundere Cinderella,” it creates high-quality humor that can be enjoyed by both adults and children. Currently airing within NHK E Tele’s “Bitworld.” Now in its fifth season, with Creephyp performing this season’s theme song. Recommended by the Jury Committee of the Japan Media Arts Festival. Its YouTube channel has surpassed 100 million total views.
Hajimete no Chuu meets "Akai Mi wa Hajiketa" / Asagiiinyo by Häagen-Dazs - 映像作家: shinodatoshitaka
Music video

Hajimete no Chuu meets "Akai Mi wa Hajiketa" / Asagiiinyo by Häagen-Dazs

2018
00:02:39
Promotion for the product “A Red Berry Burst,” named after a novel by Häagen-Dazs. This was adapted into a manga by Mengo Yokoyari and then brought to life as an MMV (manga music video). The project was conceived by Kazua Kuribayashi. The song is performed by Asaginyo. Together with animation director Fumi Ohashi, we translated the spaces between manga panels into image-based animation, using a variety of techniques such as drawing, motion, and liquid effects to bring it to the screen.
Moso Calibration - Geki Yaba ∞ Bokkaan!! - 映像作家: 大橋史Takashi Ohashi
2D animation3DCGMusic video

Moso Calibration - Geki Yaba ∞ Bokkaan!!

2017
00:03:56
The music video for “Geki Yaba ∞ Boocan!!,” the first anime tie-in song by the DearStage-affiliated idol group Dempagumi.inc, which began at a maid café in Akihabara. Inspired by the lyrics evoking destruction and by Dempagumi’s emotional state, the concept of a “super special move” was launched. I&S BBDO’s Go Nagasaki handled the concept (along with the finer fighting-game references), while Toshitaka Shinoda directed the visuals (live-action segments and emotional tone) and Ohashi (CG, animation, and fighting-game references) was in charge of the rest. To convey the image of them carrying the culture as an idol group rooted in Akiba, the fighting-game aesthetic was expressed not as traditional pixel art, but through modern-looking 3DCG, crisp graphics, and CG-rendered images of destruction, highlighting their distinctive presence as more than just cute.
BURNOUT SYNDROMES - Literature Girl - 映像作家: 大橋史Takashi Ohashi
2D animationAnimationMusic video

BURNOUT SYNDROMES - Literature Girl

2015
00:04:53
This music video is for the lead track from BURNOUT SYNDROMES’ final indie-era album. Built around poetry readings quoting classic works of literature and lyrics by vocalist Kumagai, who spent his school days in a state of frustration and melancholy, the song combines a band arrangement that nonetheless feels uplifting with a wealth of inventive touches that can’t be summed up simply as “downer.” At the suggestion of art director Kawamoto, we were asked to create a lyric video using “letters and a girl motif as the core elements.” So we decided to visualize Kumagai’s gloomy student days, as described in the lyrics, in a straightforward way. Even with typography as the main motif, we wanted it to have a distinctive feel, so we broke down and reconstructed the letter elements to create new characters, and used those elements to depict concrete motifs, putting effort into staging that could captivate viewers through the forms of the typeface alone. The girl’s animation was based on character designs by Kaneko Kaihatsu, then redesigned by Tomoeki Nakauchi, Wataru Uekusa, and koya, with an attempt to change the visual style for each part of the song.

Frequent collaborators