Perfume Imaginary Museum “Time Warp” @ Perfume P.O.P Festival | 映像作家 100人 Japanese Motion Graphic Creators

Perfume Imaginary Museum “Time Warp” @ Perfume P.O.P Festival

Perfume Imaginary Museum “Time Warp” @ Perfume P.O.P Festival

Perfume
a-chan
KASHIYUKA
NOCCHi

Stage & Choreo-Director : MIKIKO (ELEVENPLAY)
Creative & Technical Director : DAITO MANABE (Rhizomatiks)
Museum Designer : SATOSHI HORII (Rhizomatiks)
Technical Director : MOTOI ISHIBASHI , YUYA HANAI (Rhizomatiks)
Producer : TAKAO INOUE (Rhizomatiks)
Stage Director : MASAHIKO UCHIYAMA (BOATMAN)
Sound Engineer : MASAHIKO KOBAYASHI , MAI KURAHASHI , YUSEI KAMIYA (MSI JAPAN TOKYO)
Manipulator : YOSHIYUKI IKEZAKI (mimiya)
Lighting Director : AI HORAGUCHI (OFFICE DOING)
Lighting Operator : SACHIKO MATSUI (SWEET STUFF GROUP)
Lighting Technician : ITARU OIKE , YUKI UEDA , YURI TAKATSUKA , TAKUMA MORIYAMA , MIKU TASAKI (SWEET STUFF GROUP)
Camera Coordinator : HIROSHI SEI , HIROTAKA NANJO , RINA MINAMISAWA , YUNA FUCHIDA (VISUAL SIGNS)
Switcher : NAOTAKE SATO (VISUAL SIGNS)
Cameraman : KENJI KOYASU , HIROYUKI ICHIHARA , TOMOAKI SUZUKI , HITOMI MAEDA , MAKOTO NAGAHAMA ,
MIDORI TAKAHASHI (club c's entertainment)
Grip : SHINGO MIYAKAWA , KANON MASE , SYO HORIKAWA (Dragon Force)
Video Engineer : KEITA HARA , HIROYUKI ITO , RYO IIZUMI (club c's entertainment)
Script Supervisor : ASUKA OMORI (club c's entertainment)
Camera Assistant : YUYA SHIMIZU , LY YINTING , YUKA OKADA (club c's entertainment)
Production Designer : YUI MIYAMORI (Diamond Snap)
Decoration : NOZOMI SAWADA (Freelance)

CG & Visual team
【Intro】
JUNICHI EBE (Freelance) , LAMA SANTOSH , NENE SAITO , HIROYOSHI MATSUURA , CHENG ZIYUN , TAKESHI FUKIYA ,
KOJI HIRANO (DIGITAL-ATOM-LABO) , TOSHIHIKO SAKATA (+Ring / TAIYO KIKAKU) , TSUYOSHI WATARI (Freelance)
【Opera】
SATOSHI HORII (Rhizomatiks)
【GAME】
KOSUKE TSUKAGAWA , SHOICHI KITA , RYUTA HOSHI (SIGNIF)
【Room1　Electro World】
KOSUKE TSUKAGAWA , ALESSANDRO ASNAGH , RYUTA HOSHI (SIGNIF)
【Room2　GLITTER】
JUNICHI EBE (Freelance) , KENTA HASEGAWA , AYAKA YAMAGUCHI , TOSHIHIKO SAKATA (+Ring / TAIYO KIKAKU) ,
YASUHITO MATSUURA (Freelance) , KAZUHIRO IMAMIYA , DAISUKE KUWABARA (LiNDA) , AKIHIRO OZEKI , HITOSHI SUENEGA ,
IZUMI KUROI , DAISUKE YONEYAMA (2011)
【Room3　Chrome】
SATOSHI HORII (Rhizomatiks)
【Room4　edge】
TETSUKA NIIYAMA , SHINGO HORIUCHI (Freelance)
【Room5　Visualization】
KOSUKE TSUKAGAWA (SIGNIF) , RYUTA HOSHI (SIGNIF)
【Room6　Saisei】
JUNICHI EBE , TETSUJI ONO (Freelance) , KENTA KATSUNO , TOSHIHIKO SAKATA (+Ring / TAIYO KIKAKU)
【Room7　Time Warp】
KOSUKE TSUKAGAWA , NATSUMI IMANO , SHOICHI KITA , RYUTA HOSHI (SIGNIF) , AKIRA KONDO (Freelance)
GLITTER Teaser Movie : SATOSHI HORII (Rhizomatiks)
4D Views : TADAYUKI SUZUKI , YURI NAITO , FUMIAKI KUDO , KEIGO OBUCHI (Crescent,inc.)
CG Support : AKIRA IIO (1inc.) , MASAYOSHI SAITO (Rudiez)
Movie Producer : TAKAHIKO KAJIMA (PICS)
Movie Production Manager : SHUHEI HARADA (PICS)
Footage Provider : TAKETOSHI SADO (NHK ENTERPRISES, INC.)
Sound Effect Designer : DAITO MANABE , SHINTARO KAMIJO , KYOKO KOYAMA , HOPEBOX
Sound Effect Design Assistant : NAOKI ISHIZUKA (Rhizomatiks) , KEKE

Interaction design and Engineering team
Lightsaber Deveroper : MOTOI ISHIBASHI , HIDEAKI TAI , TOMOAKI YANAGISAWA , TOSHITAKA MOCHIZUKI (Rhizomatiks)
Lightsaber Operator : TOMOAKI YANAGISAWA , TOSHITAKA MOCHIZUKI , SAKI ISHIKAWA (Rhizomatiks)
Lightsaber light pattern designer : DAITO MANABE (Rhizomatiks)
Choreograph Assistant : SAYA , YU , SHOKO (ELEVENPLAY)　
Event Manager : KENICHIRO YAMASHIRO (Intergroove Productions Inc.) ,
TOSHIYUKI ABE , SHIHO SATO (HOTSTUFF PROMOTION)
Live Streaming : KYOHEI BABA , RIE SHINODA , NATSUKI ANNO (LINE VIEWING JAPAN) ,
EIJI YAMADA , ITSUKA SUGAWARA (transwork) , MAKOTO UEKI , KOTARO TAKAIE (takenaka)
ABEMA , niconico , U-NEXT , LINE LIVE-VIEWING , LiveFrom , bilibili
Music : YASUTAKA NAKATA

WEB SITE
Creative Director : DAITO MANABE (Rhizomatiks)
Art Director : HIROYASU KIMURA (Rhizomatiks)
Sound Effect : DAITO MANABE (Rhizomatiks) , KYOKO KOYAMA , HOPEBOX
Designer : ICHIRO KOJIMA , KAORI FUJII (Rhizomatiks)
Field CG : SHINGO ABE (WOW)
CG Adviser : NOBUMICHI ASAI
Front-end Engineer : HIROFUMI TSUKAMOTO (Rhizomatiks) , MISAKI NAKANO (Freelance) , TOMOYUKI YAGIHARA (toys)
Back-end Engineer : HAJIME SASAKI , SHUNSUKE SHIINO (MountPosition) , TATSUYA TAKEMASA (Rhizomatiks)
Project Manager : AKINORI KANAI (Freelance)
Producer : TAKAO INOUE (Rhizomatiks)

Logo Design : KAORI FUJII , MIKU MARUNO (Rhizomatiks)
PR Movie & End Credits : RINTARO KOZASA (+Ring / TAIYO KIKAKU) , KAHORI TAKEMURA (Rhizomatiks)

Stylist : TOSHIO TAKEDA (MILD) , SHINICHI MITER (KiKi inc.) , ERIKO OTAKE
Dressmaker : TOSHIHIKO SAKURAI (saqulai) , CHIE NAITO , NATSUMI ABE
Wardrobe : YAE-PON
Make Up : MASAKO OSUGA
Hair : YUKI SHIMAJIRI (TEAM Starter)
Trainer : TADASHI NAKATSUJI (Renewing Therapy)

Supported by UNIVERSAL J
Produced by AMUSE INC

AMUSE INC

Perfumeメジャーデビュー15周年、結成20周年を迎える9月21日に行われたオンラインフェスティバルで行われたライブ。2/26に”P Cubed”ツアー千秋楽がCovid-19のため中止となり、行き場のなくなっていた想いや、ツアー公演のために取得したデータを活用してどうやってオンラインで発表していくか。今までないほどの多くの映像作家、CG作家が参加した。

Perfume Imaginary Museum "Time Warp"では高解像度映像（グリーンバック撮影）と低解像度だが自由視点移動ができる映像（4D Views）を組み合わせた、新しい映像システムを使用して配信を行なった。

８台のカメラでグリーンバック撮影を行いキーイングデータを作成
マッチムーブを行い8台のカメラのトラッキング情報を取得
4D Viewsデータを使用し、連続的な自由視点カメラ移動が可能になる。

The live event which was held at the online festival on September 21 to celebrate Perfume's 20th anniversary and 15th anniversary of the group’s major debut. The final day of the "P Cubed" tour was cancelled on February 26 due to Covid-19, the team tried to figure out how to present online experience to answer those feelings of people that have no place to go and utilize the data that had been acquired for the tour. More filmmakers and CG artists than ever before participated in this performance.

Perfume Imaginary Museum "Time Warp" was streamed using a new video system that combines high-resolution video (shot in a greenback setting) and low-resolution video but allows free viewpoints control (4D Views).

Keying data was created by shooting in a greenback setting using 8 cameras .
Tracking information of those 8 cameras were acquired with mach moving.
Using the 4D Views data, continuous free viewpoint camera motion was enabled.