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太田修司

太田修司

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daisy* 「麹町勝覧」
3DCGAnimationArt workInstallationOriginal

daisy* 「麹町勝覧」

2017 ~
00:01:17
A three-dimensional space built with real-time graphics.It depicts a day in the life of the people living in the Kojimachi district during the Edo period (1615-1868). In this virtual reality world, the same scene never repeats itself and the people move as if they had their own will. We combined the analog techniques of Japanese traditional painting, with the digital techniques of real-time rendering and video game artificial intelligence engine to create a delicate background and character composition. 日本画のように再現された江戸時代の麹町の街並みは、実は3D空間を持つリアルタイムグラフィックスで構築されている。人々は意志を持つかのように動き2度と同じシーンを繰り返すことはない。
daisy*「HAKONIWA」
3DCGArt workExperimental filmInstallationInteractiveOriginal

daisy*「HAKONIWA」

2014 ~
00:01:39
The viewer him/herself enters this virtual world where they can explore and play. Hakoniwa, a pun combining the words for “box” and “garden”, is indeed the perfect environment for the playful creativity that the piece inspires. After your face is 3D scanned, you fall through the sky as a character of the world where you quickly adopt the funny exercises of the other citizens such as dancing around and occasionally dropping your face on the ground. Simple controls allow for interaction with other characters and their environment as the cycle of life creation and destruction keep the world in a state of constant change. 顔を3D スキャンすることにより自身がアバターとなり、その場で仮想空間に入り込むことができる。 クラシックなゲームコントローラを使って自分を観察したりいたずらすることにより、鑑賞者は現実 世界とは違う体験をする。
daisy* 「Lazy Arms」
Art workAudio visual performanceInstallationInteractiveOriginalPerformance

daisy* 「Lazy Arms」

2015 ~
00:01:21
Lazy Arms is a piece meant to interact with the viewer. Instead of building it inside the virtual world, we opted for a real analog version based on the same technology as other pieces. It is not a musical instrument, but an experiment and a response to overcome the boundaries between humans and technology through creative means. Lazy Arms combines robotics, machine learning, and real-time control of light and sound to build an emotional space which allows the viewer to lead his/her own orchestra of undulating arms, changing sounds, and vibrant colors. From your position in front of the piece, you become a conductor, controlling the orchestra of lights, movements and sounds. As you move your arms, the arms of the piece sway along with you, changing colors and emitting sounds based on your movements. 発光体のついた9 本のロボットアームとサウンドからなる。 オーケストラの指揮者の如く振舞い、作品と対話することによって音と色を奏で不思議な空間が生ま れる。