TOP

2D animation3DCGAnimationPromotion

Anime "ODDTAXI" Main CG / Trailer

2021

00:02:16
Anime "ODDTAXI" Main CG / Trailer
企画・原作：P.I.C.S.
脚本：此元和津也 (P.I.C.S. management)
監督：木下 麦（P.I.C.S.）
副監督：新田典生
キャラクターデザイン：木下麦・中山裕美
美術監督：加藤賢司
色彩設計：大関たつ枝
撮影監督：天田 雅
編集：後田良樹
音響監督：吉田光平
音響制作：ポニーキャニオンエンタープライズ
音楽：PUNPEE VaVa OMSB
音楽制作協力：SUMMIT, Inc.
音楽制作：ポニーキャニオン
アニメーション制作：P.I.C.S. × OLM
©P.I.C.S. / 小戸川交通パートナーズ　© P.I.C.S. / 映画小戸川交通パートナーズ
We were responsible for the 3D backgrounds and CG segments of the anime “ODDTAXI,” as well as the editing of the trailers and various collaboration videos. We worked on the visual look of the main series from an early stage, and after much trial and error in refining the final visual style, we moved forward into full production.

People

P P.I.C.S unverified Planner 此 此元和津也 unverified Writer 木 木下麦 unverified Director / Designer 新 新田典生 unverified Director 中 中山裕美 unverified Designer 加 加藤賢司 unverified Art Director 大 大関たつ枝 unverified Colorist 天 天田雅 unverified Cinematographer 後 後田良樹 unverified Editor 吉 吉田光平 unverified Sound Supervisor P PUNPEE unverified Music V VaVa unverified Music O OMSB unverified Music

Other Works by 島猛（Takeru Shima）

Explore 2D animation

Fragments - 映像作家: omnibus-japan-inc
3DCGArt workEventInstallationMotion graphicsOriginalShort filmSignage

Fragments

2019
“Running water never stops and never remains the same. Bubbles floating in the pools, now vanishing, now forming, never stay long. People and their dwellings in this world are likewise...” Calligrapher Mariko Kinoshita selected and inscribed a passage from Kamo no Chomei’s Hojoki, then divided the calligraphy into square pieces herself. Based on these segmented cells, video artist Shinichi Yamamoto assigned a time axis, and musician Corey Fuller further created a video work built from sound that deconstructed and reconstructed the words of Hojoki. In the video production method, using a technique Yamamoto often employs, he creates a system (equation) that randomly offsets the timing of the segmented characters, substitutes the cell materials into it, and, inspired by the unexpected and accidental patterns that emerge, feeds them back in again and edits them frame by frame to give them a time axis. This time, in the musical process as well, in addition to instruments such as the piano, an attempt was made to record footage of Kinoshita reciting Hojoki, deconstruct it, and use it as audio source material. With Kinoshita’s concepts of emptiness and dependent origination in her calligraphic practice, Corey Fuller’s richly quiet ambient textures, and Shinichi Yamamoto’s meta perspective when viewing landscapes in his works, each artist’s worldview is brought together in collaboration, with Hojoki as the point of intersection. The central theme is the “universal” that is felt even while always observing the “ever-changing.” After being presented on four outdoor screens in Shinjuku as part of the Shinjuku Creators Festa, the project has continued to evolve as an ongoing collaboration, including the development of an immersive installation version at Haneda Airport as part of the Agency for Cultural Affairs’ “Media Art × Cultural Resources: Distributed Museum” initiative.