A city-wandering XR project in which rhythm pieces provided by musicians at BPM 120 are combined like in music software such as Ableton Live and GarageBand, allowing visuals and music to be freely performed in space. A concept that visualizes the very structure of electronic music, techno, and dance music in spatial form. A work in which users interactively mix sound kits created by Intercity-Express in AR. By unifying all tracks at BPM 120, users build music by mixing kick drums, sequences, sound effects, vocals, and more within AR space, while a DJ and spatial VJ performance unfolds over an expanded Shibuya landscape. Presented in conjunction with MUTEK.JP, the festival of electronic music and digital art, as the second installment of “INVISIBLE ART IN PUBLIC,” an XR art exhibition set across the entire Shibuya district and operated by the “Shibuya Entertainment Tech Promotion Project.”

Video installation featuring sixteen 85-inch large monitors arranged in a 16 m x 8 m gallery space. The looped video on each monitor is paired with a different sound and chord, and as the visuals and audio played at their respective cycles mix together in the large gallery space, they create a one-of-a-kind, once-in-a-lifetime experience.

Created a loop animation for artist monje’s song “coyote.”

Inspired by the song’s theme of “the grown-up ‘I’ remembering ‘you’ in memories that have already slipped away and seem about to disappear,” I expanded on that idea and created this work with the aim of resonating with the generation born in the 2000s, who are only just becoming adults. While incorporating the technique of compositing animation onto footage shot with a 3DS, I also mixed in contemporary graphic expressions and footage shot with a cinema camera, in order to convey the difference between the way the world looks in childhood and in the early twenties.