This is a compilation of “very low-resolution and very short” humor videos for social media release.

A dizzying journey where the gaudy and the refined intertwine, rendered in a vigorous brush style. That nonstop feast syncs perfectly with NATURE DANGER GANG’s slightly dangerous musicality. -- A collaboration movie project between “the band currently called the most dangerous,” NATURE DANGER GANG, and “lute”!!! For the ninth installment, the official music video for “Fisher King,” the lead track from their 2nd album THE INFERNO [Omochi Records] and a collaboration with trap trackmaker Masayoshi Iimori, has been directed by the two members of OTAMIRAMS, who also helmed music videos such as Wednesday Campanella’s “Momotaro,” Ken Hirai’s “ON AIR,” and Triple Fire’s “Skill Up”!!!!!! Taking as its central theme elements inspired by a certain work by a renowned screenwriter whom the entire production team has long admired, this song sends you hurtling through 90 years of time and across 14 locations—from Koenji to… the vas deferens… outer space… the fifth dimension… even Rio de Janeiro…… and, of course, Kisarazu—so that simply by watching, you can traverse them all in wildly unconstrained fashion. It’s an outlandish, agony-inducing, new-sensation approach to a coming-of-age road movie!!!!!!!!! In addition, this work features illustrations by Bokuno, noise collage by MMEEGG, logo marks by CHACCA and Plasma, live-action segments by Yuichiro Fujishiro and Daiki “Meyer” Kato, and the NDG, GEZAN, and VOGOS members who appear therein, all cooked up (directed) by OTAMIRAMS into a riotous MV overflowing with decadence and debauchery (is that the biggest highlight!?... maybe not...).

A project that explores a three-dimensional imaging device based on the principles of light wavelengths, and the possibilities of visual expression using it. By turning the limitations of the device—such as human perceptual abilities, the “maximum of three layers,” and the fixed colors for each layer—into advantages, a new “mode of expression” unique to this medium was developed, resulting in a group of three-dimensional animations with a vivid sense of depth that could be described as sculptures of light.