In this work, we explore the function by which we become aware of and experience stimuli, especially the perceptible boundaries of hearing and vision, through media technology. Embodiment based on perceptual capacity continues to be reshaped by the influence of our everyday choices, which in postmodern society are deeply dependent on media technology. Building on this, this work was created with the aim of transforming the concept of 14,000 Hz into an audiovisual piece synchronized to that frequency, for playback in a variety of media environments.

adidas UK からの依頼で、神戸在住のシューマスター大森敏明氏に関するドキュメンタリーフィルムを制作した。ヨーロッパに数十店舗を構えるSizeというシューズリテイラーが手がけるソーシャルチャンネルのために制作されたもの。シューズ業界において、世界的な注目とリスペクトを長年にわたって得ているシューズクリエイターの創造性の本質に迫った作品。映像監督は関根光才。シャープで奥行きのある映像と、福岡拠点に活躍するビートメイカーOlive Oilによる楽曲、パンチライン続出のインタビューコメント等、全ての要素がタイトにシンクロした切れのある作品は、コンテンツマーケティングのフィールドで１歩先を行くヨーロッパ・クライアントから高い評価を得た。

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Since its TV broadcast began in January 2011, “Puella Magi Madoka Magica” has sparked a major boom across many fields and continues to captivate countless fans to this day. To commemorate the 10th anniversary of this work, “Puella Magi Madoka Magica 10 (Exhibition)” was held starting September 22, 2021. From original animation artwork displays and introductions to the production process, to the spatial design of the “Witch’s Barrier” created by the animation artist unit Gekidan Inu Curry, and immersive visual spaces that make you feel as though you’ve wandered into the world of the series, this is an extraordinary exhibition where every detail is unmissable. In the immersive visual space “MADOKA MAGICA Interactive Theater,” where you can relive the hope and despair felt by the magical girls, motion graphics are used to such effect that you’ll feel as though you yourself have slipped into the world of “Puella Magi Madoka Magica.”